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Sanjay has anterograde amnesia he loses his memory every 15 minutes.
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He takes an instant picture of the man, and writes on it "done". Sanjay is introduced as he brutally murders a man. Chitra, nonetheless, decides to investigate the matter herself. Her professor denies access to Sanjay's records as it is currently under criminal investigation. She wants to investigate the curious case of Sanjay Ramaswamy, a notable Chennai-based businessman who is reported to have anterograde amnesia. ( October 2021) ( Learn how and when to remove this template message)Ĭhitra, a medical student, and her friends are working on a project about the human brain. Please help improve it by removing unnecessary details and making it more concise. This article's plot summary may be too long or excessively detailed. The film takes inspiration from the 2000 film Memento and the 1951 film Happy Go Lovely. It was remade into a Hindi film by Murugadoss again in 2008, with Asin, Rawat and Khan reprising their roles while Suriya's and Nayanthara's roles are played by Aamir Khan and Jiah Khan. It was dubbed and released in Telugu by Allu Aravind in November 2005, and received positive reviews with praise for the performances of the lead pair and the plot. The film was shot at Chennai, while two song sequences were filmed in Switzerland. Production began shortly afterwards in April and was completed by September on the same year. Rajasekhar and Anthony were the film's cinematographer and editor, respectively. Harris Jayaraj composed the soundtrack and background music, while R. The film stars Suriya, Asin and Nayanthara, with Pradeep Rawat and Riyaz Khan in supporting roles. However a sense of heard-before takes all charm away from the song.Īll the same,Ghajini is an honest effort.Ghajini is a 2005 Indian Tamil-language action thriller film directed by A R Murugadoss and produced by Salem Chandrasekharan. Living up to reputation is Shankar Mahadevan and Sujatha. So is this that totally resembles Harris's Randaka Randaka in Anniyan. Rangola (Shankar Mahadevan, Sujatha) It has become a superstition to have at least one fast paced earthy number in every Tamil film these days. The youthful chorus adds sheen to the song with a peppy percussion accompanying it. Surely, it is set for the top of the charts. The rocking number of the album, thanks to Anupama's vibrant ways. However, the usual energy brimming in Bombay Jayashree's voice is missing in this number. But Harris shows his enterprise and elegance in making both ends meet (classical and western fusion). This Bharathiar number is of course no comparison to the one that A R Rehman came up with in Kandukondein. It is well within Bombay Jayashree and Sriram Parthasarathy territory. Suttum Vizhi(Sriram Parthasarathy, Bombay Jayashree) Mathangi walks away with all honors coming up with a cultivated twang and providing the song with all the right attractions. Suffused with a Latin American flavor, the song has a racy rhythm with effective percussion. Nahul, who we heard in Anniyan, is also in his elements. Mathangi, this season, has been in good form. The catchy beats provide the necessary wholesome attraction.
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His seemingly intuitive understanding for intonations and pauses adds luster to the number. Karthik, who has come up leaps and bounds and emerged as a seasoned singer, has rendered the song with ease. A typical western number, which begins on a slow note and goes on to pick the desired momentum. Oru Maalai (Karthik) A perfect start to the album. With Shankar Mahadevan,Anupama,Bombay Jayashree, Karthik rendering these songs, the audio is certainly expected to top audio chart busters.
#Ghajini album tamil movie
The movie starring Surya and Asin in the lead roles has a mix of mass numbers and soft songs, quite typical to Harris. Extending his good run, Harris has come out with five rocking numbers for Ghajini too. Following Anniyan and Ullam Ketkumae recently, he had come up with hit numbers in Totti Jaya too. Harris Jeyaraj is the most happening music-director in Kollywood with successive hits under his belt.